The 16-track recording was recorded by the FOH mixer on a 24bit Harddisk-recorder, but the levels were very bad. Some tracks were distorted, some had too low gain and stereo-sources only were mono and the whole recording had absolutely no ambience, sounded too dry and cold. So we did search for some audience recordings and obtained 2 MD-sources, one from the back and one from front of the stage. These were mixed with the 16-track recording in Cubase SX3 and mastered on 2-track.

Sadly, the recording is not complete. First Track and last encore were missing on all recordings.